
It has been 5 years since
Brave Saint Saturn released an album. And I have to say that the wait was worth it. Completely.
For the uninitiated, brave Saint Saturn grew as a side project from the band
Five Iron Frenzy, an outlet for songs that lead singer and prime songwriter
Reese Roper had crafted that did not fit into the
FIF style. From there it grew into a trilogy, following the fictional storyline of the crew of the spacecraft "Gloria" on a mission to survey the moons of Saturn. The first album
So Far From Home traces the journey there and the mission,
The Light of Things Hoped For focuses upon the crew getting lost and being found, and
Anti-Meridian closes out the trilogy as a look at the crew's return to earth and the after-effects. While it is not necessary at all to know this
backstory to enjoy the music (not every song references this account. In fact, many are awesome stand-
alones that tell their own story and have their own message), it adds a great
undercurent that helps to tie all the music together and gives the listener a story to get involved in that is so incredibly grand that the word epic only begins to scratch the surface of describing it all.
Here is the NewsActually a cover of
ELO's Here is the News. It serves to set up the album as announcement that the news of the
Gloria's return is coming. It also opens up with a quote by Dylan Thomas that sets up the album excellently. Lots of heavy
synths and guitar work. Loads of distortion.
MercenaryIs a mixed bag of sports metaphors, headlines and music business. It weaves a condemnation of musicians in the industry who are sellouts. And it exposes some feelings of guilt on Reese's part for being one of the same people he rails against through the song. Mercenary paints a picture of sellouts as mercenaries, carrying out "missions" merely for the money. Musically this song is catchy, and perfectly captures the "
astro rock" that
BSS shoots for.
StarlingA departure from the first two songs. This is a very haunting song, from the music to Reese's vocals. It sticks with you long after the song is over. It takes an experience Reese had with a wounded starling as a child, explores it and draws in some thinking about shooting birds to scare them off (and killing them in the
process) and the question of why defenseless animals have to die. I really is a deep haunting track that asks you to really ponder.
UndergroundThis track features Dennis on vocals and really
explores the idea of music being created. It
argues that music created for the love of creating it cannot be corrupted by culture, society or
spectacle. Musically it's pretty straight rock with some
synths thrown in for good measure.
When You Burn Too FastThis is a slower song that
speaks of burning out, of allowing others to control your future. Of what happens when you have been used up by others. Heavy acoustic guitar and xylophone.
Through the Depths of TwilightThis is a really fabulously crafted song about striking against setting others down, whether
through racism, slavery, or other means. Reese works in some
references to Lincoln's and
MLK's work for equality, and has some great
imagery of light shining brightly against the darkness.
Hero's HomecomingIs another song led by Dennis, and it features great simple, solid guitar work to keep the focus. The thrust of
the song falls back to the story of the Gloria astronauts, what it was like when they returned from their mission, the parade, the supporters, everything. And the remembrance of the cost for the astronauts to return (Keith
Hoerig, the group's bassist was said to have sacrificed his life for the res of the crew to be able to return, accidentally discovering a way to produce antimatter in the process).
AmmodramusIs a spoken-word track that features Reese recounting the events of the
Group's return and life on earth since then.
Fields of the FallenThis is
Dennis's third song on the album. It is a departure musically from his other two songs so far in that it is slower, pretty mellow and reflective, with a lot of acoustic guitar and
synth work to drive the song. It recounts a mission of searching for someone lost in the winter, in
the harsh elements, and not finding them in time. It really is a raw song that explores the guilt that we can put ourselves through if we find ourselves in that type of a situation, and a prayer for answers from God that we might ask
ourselves as well.
Always Just Beneath the DawnThis track dives back into a lot of heavy
synth work and programming samples that
BSS manages to weave in yet not
allow to distract from the song. Using imagery of battle, blood, prophecy and genetics it explore the dynamics of a father-son relationship. There is hope in that love will conquer, but there is real hurt expressed in the fact that Reese seems to have a broken relationship with his own father. Hurt and hope in the same sentence.
Fortress of SolitudeThis track opens with a fake voicemail from a fan to Reese
wondering if Five Iron Frenzy is getting back together. It then dives into a lot of
heavy drums, alternating beats, and Superman
imagery to paint a picture of the
frustration of dealing with this type of a situation. It ends with a lot of screaming and frustration at those who continue to hound away to try to force the band back together, for whatever reasons they want to see it happen.
Blessed Are the LandminesThis track is based on a portion of the Beatitudes (
Matthew 5.5-9), and speaks about the profit that is to be gained in creating war and weapons of war. Lots of heavy electric guitar and solid drumming. It really takes the path of looking at the Matthew passage and gives us the complete opposite of what Scripture has to say. It really makes one think about the nature of modern warfare, and how it fits into life today.
AegoliusThis is another spoken-word track from Dennis
Culp's perspective on life after the mission, much like Reese's thoughts from
Ammodramus.
Begin AgainThis is Dennis' last track that he leads on the album. It has a very nice island/reggae beat to it, complete with quick guitar hits and heavy leading bass work. Lyrically it features some fantastic and simple imagery of fire burning the old away and a new tree growing in the old cation's place. It is a great pick-me-up song that really picks up the mood of the album from the hurt and the frustration and takes us back toward hope and renewal.
These Frail HandsReese always seems to craft the perfect song to close out an album in a very worshipful manner. There are shades of Gloria at play musically, with the song initially relying upon some simple acoustic guitar work. There are cries for the oppressed, and a call to remain strong and hold onto hope. In the closing chorus, you can hear the band work in snippets from Gloria and Daylight (the closing songs on the first two albums) that add so much depth to an already phenomenal song. It has a very Pauline quality to it and I can't help but be encouraged and inspired when I listen to this track.
InvictusThis is almost a P.S. to the album. In the fictional account of the Gloria crew, the craft that ultimately helps the back to earth is named
Invictus (which is Latin for unconquered). It actually features Reese's wife serving up some background vocals. It opens with Reese
speaking about breaking his back only to show you how very lost one can be. It is a raw, confessional, acoustic song that ends as a prayer to God, admiring and celebrating God's unconquerable,
undefeatable nature.
This is a phenomenal album. It really is. Though at times, I feel that
The Light of Things Hoped For may have
been stronger, the production values, the depth an the openness of the lyrics, and the feeling of completion to the mission make it a spectacular
listen. It really is a deep album that can bring so much to an individual or a group. There are Biblical principals to be taught. There is musical creativity and excitement to share. But ultimately what makes this album so
spectacular is the openness. The raw truth that these are four men who hurt like the rest of us. They struggle, they cry, they have relationship problems. They ask God questions that there are no answers for. And they are not afraid to ask God for help. Read these words of the chorus to
These Frail Hands:And these, frail hands. They tremble as they pen perhaps their last. And these, weak words. Can never say what cannot be surpassed. I need, Your love. And most of all I want to feel Your peace. I need, Your love. Let everything that You are not decrease.